How First Nations artists are reclaiming colonial objects and celebrating culture through garments

Image details

Collection of kitsch Australian tourist scarves. Source: Ad(dressing) Indigeneity

By Treena Clark, University of Technology Sydney

8 February 2024 

A few years back, I started collecting vintage Australian tourist scarves that portray First Nations people as primitive caricatures and noble savages. Now, I own more than ten scarves with images ranging from Western depictions of First Nations art and objects, to Indigenous people in tokenistic scenes.

Collecting these tourist wares isn’t new. Kitsch items are often gathered and reclaimed by First Nations peoples, artists, designers and academics. Artists such as Destiny Deacon and Tony Albert use several names to describe items with Western depictions of First Nations people, art and objects, including Koori Kitsch and Aboriginalia.

First Nations peoples are also using Aboriginalia within fashion. Paul McCann (Marrithiyel) has embellished couture outfits with vintage textiles depicting First Nations peoples, animals and plants. This form of work, termed “garmenting”, emphasises contemporary artists’ use of clothes in their pieces.

While Aboriginalia and Koori Kitsch are popular terms, First Nations garmenting is a recent definition yet to reach mainstream use. It’s an emerging trend adopted by many First Nations artists whose work is interested in confronting or reshaping history, highlighting the current world, or imagining a new future.

Read the full article at The Conversation!